Beyond the spatial paradigm: time and cinematic form in holographic art

Eduardo Kac

doi:10.1117/12.301482

1 February 1998 Beyond the spatial paradigm: time and cinematic form in holographic art

Eduardo Kac

Proceedings Volume 3358, Sixth International Symposium on Display Holography; (1998) https://doi.org/10.1117/12.301482
Event: Sixth International Symposium on Display Holography, 1997, Lake Forest, IL, United States

Abstract

The author discusses holographic art from the point of view of the temporal properties of the medium, using examples from some of the artists who have consistently worked with film, video, digital imaging and holographic animation proper. He suggests that any consideration of this new art form must take into account its dynamic, and not only spatial, qualities. The paper is also complemented with a survey of recent and current research towards holographic film and video, evoking the unique creative potential of these emergent technologies.

Citation Download Citation

Eduardo Kac "Beyond the spatial paradigm: time and cinematic form in holographic art", Proc. SPIE 3358, Sixth International Symposium on Display Holography, (1 February 1998); https://doi.org/10.1117/12.301482

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