Rendering nothingness: reality and aesthetics in Haboku landscape for understanding cognition and computer interfaces

Hawley K. Rising III

doi:10.1117/12.845969

17 February 2010 Rendering nothingness: reality and aesthetics in Haboku landscape for understanding cognition and computer interfaces

Hawley K. Rising III

Author Affiliations +

Proceedings Volume 7527, Human Vision and Electronic Imaging XV; 75271C (2010) https://doi.org/10.1117/12.845969
Event: IS&T/SPIE Electronic Imaging, 2010, San Jose, California, United States

Abstract

The Haboku Landscape of Sesshu Toyo is perhaps one of the finest examples of Japanese and Chinese monk landscapes in existence. We analyze the factors going into this painting from an artistic and aesthetic perspective, and we model the painting using MPEG-7 description. We examine the work done in rendering ink landscapes using computer-generated NPR. Finally we make some observations about measuring aesthetics in Chinese and Japanese ink painting.

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Hawley K. Rising III "Rendering nothingness: reality and aesthetics in Haboku landscape for understanding cognition and computer interfaces", Proc. SPIE 7527, Human Vision and Electronic Imaging XV, 75271C (17 February 2010); https://doi.org/10.1117/12.845969

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