The principal rule of the conservation process is an individual approach to every piece of art. Easel paintings are varying regarding their forms (shape), technique and technology and behave differently in various conditions. In order to carry out initial researches of the particular object several noninvasive analyzes are performed. However, none of these methods give information about geometric shape of the object and metric analysis of its surface. This gap in the field of initial optical analysis, may be filled with optical 3D scanning. From conservators' point of view, we may say that a laser scanner slowly becomes an indispensable and daily work tool in the diagnosis and conservation methodology of the canvas paintings.
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